Maskinanlegg / Solveig Kjelstrup - solveigssang original

from 雅​集​3 索​尔​维​其​之​歌 yaji 3 solveigs lied by v.a.

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about

玛雅•苏卢维•齐勒斯都鲁普•罗德契（Maja Solveig Kjelstrup Ratkje）是挪威最著名的古典当代作曲家之一，她的作品在全世界得到演出和获奖。她也是噪音乐队Fe-mail和即兴乐队SPUNK的成员，她是个人人声即兴艺术家、爵士乐队中的人声表演家，曾经和黑金属乐队合作，在乡村乐队中献唱，为流行乐队混音和演唱。
Maskinanlegg是彼昂•哈夫德鲁（Bjørn Hatterud）的垃圾工业/噪音计划。他曾经创作了大量CDr，在全世界的无名厂牌发行。他把Maskinanlegg看作一个艺术计划，而不只是音乐计划。他的目标是在高级艺术和流行文化之间的界限上找乐，探索业余音乐、轻浮流行和前卫极端之间的审美共同点。

Maja Solveig Kjelstrup Ratkje is one of Norways most famous classical contemporary composers, whos work has been peroformed and given awards around the world. She is also a member of the noise band Fe-mail, the impro band SPUNK, a solo vocal impro artist, a vocalist with jazz bands, has worked with black metallers, sung in a country band and remixed and sung with pop bands.
Maskinanlegg is the trash industry/noise project of Bjørn Hatterud. He has made a ton of CDr releases on more or less obscure labels all over the world. He sees Maskinanlegg as a art project more than a music project, with the aim of having fun with traditional borders between high art and popular culture, exploring esthetic similarity between outsider muic, lowbrow pop and avant garde extremes.

lyrics

B：喂，请问是齐勒斯都鲁普吗？
M: 喵。
B：我叫彼昂·哈夫德鲁，啊，我打给你是因为你是一个有名的，嗯……有名的当代，当代古典音乐作曲家，有名的挪威当代古典音乐作曲家。嗯……我有几个问题想问你，你有时间回答吗？OK。
M：（怪声）
B：OK，等一下我把问题找出来。
B：（纸的声音）
B：嗯，作为一个挪威的当代古典音乐作曲家，或者说当代古典音乐家，的生活，是怎样的？
M：（怪声）
B：是，OK，但是嗯……让我吃惊的是，针对那些取得了成功、比一般人发达很多的作曲家，比如菲利普·格拉斯，国际上有一种批评，就好象他们是坏蛋一样。
M：（怪声）
B：OK，是，是，我明白了。嗯，好，这个，这么说，多样化的地下场景和，你作为一个作曲家，和它有什么样的联系？嗯……
M：（怪声）
B：OK，但是，有个有名的挪威作曲家，叫玛雅·罗德契，她也因为和这个圈子有联系而……
M：（尖叫）
B：……很有名。
M：（继续尖叫）
B：喂？很有名？
M：（怪声和尖叫）
B：喂！
M：哈呀！（怪声和尖叫）
B：（沉重的呼吸，挂了电话）

B: Hello, do I speak with Kjelstrup?
M: Mjaa
B: It is Bjørn Hatterud calling, ehh calling you because you a famous ehhh.... famous composer, composer of contemporary classical music, famous Norwegian composer of contemporary classical music. ehh.. I've got a few questiones for you, do you have time to answer? OK
M: *sound*
B: OK, one moment and I'll find the questions
B: *sound of paper*
B: Well, how is it sort of to live like a classical contemporary composer in Norway, or classical contemporary musician?
M: *sounds*
B: Yes, OK but so ehh... the thing that strikes me is that there is such a criticism internationally against the composers that actually succeed in getting a break through amongst the people, like Phillip Glass and such often are seen as almost evil
M: *sounds*
B: Ok yes, yes I see, ehhh well, there is this, to put it, various alternative underground scenes and such, what kind of contact do you as a composer have with them, assa? Ehh...
M: *sounds*
B: OK but, there is a famous Norwegian composer called Maja Ratkje, who also is famous for having some contact...
M: *screaming*
B: ... with such circles
M: *continues screaming*
B: hello? with such circles?
M: *Sounds and screaming*
B: Hallo!
M: Halja! *sounds and screaming*
B: *Breathing heavy and hanging up the phone*

credits

from 雅​集​3 索​尔​维​其​之​歌 yaji 3 solveigs lied, released January 1, 2009

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